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Conceptual

The Conceptual collection explores image-making beyond place, focusing on form, abstraction, and visual interpretation. These works are shaped by light, texture, and perspective, often transforming familiar subjects into something unexpected. Through color, contrast, and composition, each image invites a more open reading—where meaning emerges through observation rather than definition.

Containment - Industrial Forms in Light and Time

The Containment Project explores the surfaces of oil storage tanks in East Houston, where time, exposure, and industrial use have transformed steel into complex fields of texture and color. What begins as utilitarian infrastructure becomes, through weathering and corrosion, a record of process—layered, fractured, and evolving.

These images are not constructed; they are discovered. Each surface carries the cumulative effects of environment and material, revealing patterns that shift between structure and abstraction. Lines, seams, and panels provide an underlying order, while corrosion introduces variation and unpredictability.

Removed from their original function, these details become studies in balance, contrast, and surface—inviting a slower way of seeing. The work sits at the intersection of industry and abstraction, where the physical reality of the subject remains present, but the experience is visual and interpretive.

Abstract textured surface of a Chemical container with layered corrosion and muted painterly colors

Automotive Abstractions - Metal, Paint, and Time - Transformed

These images begin with weathered automotive surfaces—car doors shaped by years of sun, wind, and exposure. Layers of paint fracture, oxidize, and recede, revealing patterns that were never intentionally designed, yet feel strikingly familiar.

Working at a macro level, this collection transforms industrial materials into visual landscapes. Cracked finishes echo desert terrain. Oxidation blooms like aerial views of coastlines and storm systems. Color emerges through time itself—rusted oranges, mineral blues, and metallic undertones interacting in unexpected ways.

What was once functional becomes expressive. What was once overlooked becomes the subject.

Each piece captures a moment in an ongoing process of change, where metal, paint, and environment collaborate to create something entirely new. These are not just surfaces—they are records of time, revealed through abstraction.

White and gray fractured crystal-like shapes forming dense overlapping patterns

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